Rest in Peace, Nate Dogg

I just received some troubling news. One of the greatest performers in hip hop history has passed away.

Nate Dogg, the preeminent hook-singer of the last twenty years, has died too young at age 41. He suffered two strokes in recent years and had been in failing health.

Rolling Stone’s obituary spells out the details:

Nate Dogg, the singer and rapper best known for his collaborations with Snoop Dogg, Dr. Dre, Warren G and Eminem, has died at the age of 41. His cause of death has not been announced, but the singer had previously suffered strokes in 2007 and 2008.

Nate Dogg, born Nathaniel D. Hale, had a distinct vocal style that blended the rhythm and cadences of rap with slick, laid-back R&B delivery. He got his start in music as a member of the trio 213 with the then-unknown Snoop Dogg and Warren G, and later made his debut on “Deeez Nuuuts,” a track on Dr. Dre’s 1992 blockbuster The Chronic. In 1994 he had his biggest hit with “Regulate,” a collaboration with Warren G that hit Number Two on Billboard’s Hot 100 singles chart.

I don’t have any words that will assuage this loss. Nate should have been with us for much longer, performing at a Rock & Roll Hall of Fame induction ceremony for himself and the rest of The Chronic crew. Maybe even a late-career renaissance where the young people of mid-century rediscover his greatness.

Ice Cube once rapped, “It must be a single if Nate Dogg’s singin’ on it.” The caliber of hooks that Nate dropped over two decades of work may never be surpassed.

Read more of this post

For Your Consideration: 83rd Oscars Edition [DB]

The great DB returns with his predictions for this year’s Oscars. Find more of his work at I-am-DB.com.

“New Rule: If they’re going to make a historical epic full of British actors in period costumes about Queen Elizabeth II helping her father get over his speech impediment, why bother having the Oscars at all? You win.

Unless someone in America is making a movie where Meryl Streep teaches Anne Frank how to box, we give up.”
-Bill Maher on Real Time, 9/24/10

BEST PICTURE

Bill Maher may have called it earlier than anyone. It would seem that The King’s Speech is poised to be the big winner on Sunday night, with a Best Picture win and several others along the way.

Despite The Social Network conquering the first half of the season, its chances are now slim to none. Ditto for everything else, even though True Grit and The Fighter, in particular, are bound to have their supporters. So…not a lot to say here.

Well, one thing. It’s been irritating over the last three or four weeks to see Oscar pundits suddenly jumping on The King’s Speech bandwagon and saying that they really knew all along it would be the favorite and that The Social Network never really had a chance.

Because that’s not what they were saying at all before the Producers Guild of America, Directors Guild of America and Screen Actors Guild awards all turned the tide away from Social and toward King’s Speech. Although The Social Network did kick ass amongst the critics awards like few films have (in recent memory at least), it was never an obvious Best Picture choice; not to anyone who has actually paid attention to the kind of movies that appeal to the Academy.

Read more of this post

The Amanda Knox Lifetime Movie Was Terrible!

I haven’t been this disappointed since I watched the last episode of Lost.

The Lifetime network’s dramatization of the Amanda Knox trial had everything going for it…ripped from the headlines excitement, star power in the form of Hayden P and Marcia Gay, and Lifetime’s track record when it comes to making hilariously bad TV movies.

In case you’re not aware of the real story: Amanda Knox, an student from Seattle studying abroad in Italy, was accused and eventually convicted of the murder of her British roommate, which she allegedly committed in concert with her Italian boyfriend Raffaelle Sollecito and a drifter/drug peddler, Rudy Guede. There were international incidents galore, tons of gory details, and in the end, the young American college student was jailed for life 26 years.

After the triumph that was “The Craigslist Killer,” which took a gruesome and sad event and made it into a piece of cheesy television, the Knox movie looked like it could be the best Lifetime movie yet. It was actually really bad — boring and depressing.

While I was watching the morose and convoluted narrative, I came up with a few ways this movie could have been better. Lifetime, before you make another true-crime movie, call me. I’ll get you back on track next time.

Read more of this post

Garfunkel and Oates Aren’t Funny

Am I the first one who’s willing to say on the record that the Emperor has no clothes?

The comedy team Garfunkel and Oates is composed of two actresses (Kate Micucci and Riki Lindhorne) who have taken to writing comedic songs. The two have been garnering tons of buzz, gathering a legion of fans, and recently scored their own HBO show.

The only problem is, they are not funny.

And as musicians, they’re thoroughly mediocre.

Some call them “The female Flight of the Conchords.” Really? Is the bar that low for women in comedy? These two aren’t CLOSE to being as funny and original as Jemaine and Bret. The love they are getting is totally baffling to me.

What’s more, their little self-deprecating, ironic tactic of naming themselves after “two famous second bananas” is irksome on a deeper level. “Oh, tee hee, we aren’t super talented, we’re just little old Garfunkel and Oates.”

Let me tell you something. These two WISH they could sing like Art Garf. They WISH they could rock a tune like John Oates. If they could, their comedy music would be a whole hell of a lot better.

Read more of this post

And The Nominees Are: 83rd Oscars Edition [DB]

DB is ROTI’s resident Oscars expert, and he is back to analyze the nominees for this year’s ceremony. His wisdom has long been revealed to the lucky recipients of a private email list, but he’ll soon be launching his own blog, which we intend to pimp relentlessly. But for now, he’s here to analyze the nominations with an award junkie’s eye. For reference, here is the Complete List of Nominees.

With the announcement of the Oscar nominations now nearly two weeks past, you’ve obviously been aching with anticipation to hear my thoughts. My apologies for the delay, but I figured it would take this long to read that piece anyway, so I had a little time to play with.

Ready to get back into it?

BEST PICTURE


This list shaped up pretty much as expected, with 127 Hours muscling in to replace The Town, which I thought would make the cut. I’ve got no problem with that. The Town was a fine movie and another welcome component of the Ben Affleck Career Reboot, but I was surprised it got elevated to the Best Picture conversation in the first place.

Despite the presence of eight other movies, most still see the contest as boiling down to The King’s Speech and The Social Network. Based on recent events, I have to agree. What recent events, you ask? Well, in the Oscar race, things can change awfully fast. And so they have. The first half of the season clearly favored The Social Network, but in the days since the nominations were revealed, the Screen Actors’ Guild honored The King’s Speech with their top prize – for best cast – and the Director’s Guild selected Speech‘s Tom Hooper as Best Director. (I’m having trouble making sense of that one, but I’ll say a bit more below.) Taken individually, neither of these awards necessarily shore up a Best Picture win for The King’s Speech. But taken together – along with a win from the Producer’s Guild – that scenario now looks likely.

I’m about to go off on a tangent here, but longtime readers know this is nothing new. I possess no filter. The day of the nominations, this article appeared on CNN.com and promptly pissed me off. The author, one Lewis Beale, calls The Social Network an “also-ran” behind The King’s Speech and True Grit because Speech led the way with 12 nominations, Grit followed with 10 and Social tied for third with eight. He says the numbers make Speech and Grit the frontrunners.

No, Lewis. No they don’t.


Lewis Beale: also-ran

Speech may well be the frontrunner now, but not because it has the most nominations. And sorry, but Grit isn’t a frontrunner at all. The number of nominations a movie gets has nothing to do with whether it will win Best Picture or whether the Academy thinks it’s the single best movie of the year.

Read more of this post

Follow

Get every new post delivered to your Inbox.